There’s a great new post over at The Creative Penn to help get you started.
There’s a great new post over at The Creative Penn to help get you started.
You’ll have to hurry – deadline is March 27th (2018)
One of the perks of being a writer is you get to choose your own name. However, out of the billions of combinations available, how do you pick the right one for you? Hopefully this post will provide a few helpful hints.
“What’s in a name? That which we call a rose by any other name would smell as sweet.”
Why choose a different name?
I’ve recently had to re-invent my author identity. Not because I’ve got mixed up in some international smuggling operation and need to drop off the grid, all Jason Bourne style. Regrettably, the reason is more mundane. I’ve chosen to publish my new novel, SNAP, under a different author name because I’ve advised me to by a literary agent. Her reasoning is that most of my work follows a very different aesthetic from this new series of books.
So why do writers choose to have their work published under a pseudonym?
The motives can be many and varied. The name printed on the front cover of your books is more than a simple identifier. It is an integral part of the writing persona your readers will come to know. In re-naming ourselves, we can capture those aspects of our personality which help shape the stories we write.
In the case of Lemony Snicket, for example, the author re-creates himself as an integral character in his own story.
What to look for in an author name?
So where should you start? One good place is to find authors who write in a similar genre and see what style of names are already in use. This can help fans of a particular genre identify you with the type of book they like to read.
J R Tolkien had some influence on both J K Rowling and George R R Martin as did Arthur C Clarke on Philip K Dick and Robert A Heinlein.
When making my own choice of an author name for SNAP I looked at writers such as Ally Carter, Sarah Sky and Robin Benway. One look at these authors tells you a lot about SNAP.
Also, in this modern age of social media, it’s helpful to select a name which is unique and as yet unused on Facebook, Twitter and the like. An easy to spell, easily searched for name is also good.
Not all of us have the benefit of Roald Dahl as a given name. Although you might choose to use your own name in a different way – Lorrie Porter, is a shortened version of my middle name together with my last name.
Where to find inspiration for the new you?
Finding your author name can be a similar process to finding a name for one of your characters, and all the usual methods apply:
However, I found with my own choice I wanted something more personal, a name which belonged to me. So I looked to my family tree.
I found I had a great-aunt who I’d never been told about. Her name was Lizzie. She was born in the Cardiff workhouse and adopted by an Italian ice-cream maker along with her two brothers. I felt a connection with her and chose Lizzie as my first name.
For my second name, I searched all the family surnames I could find, and finally picked Hexter, borrowed from a young man who married the daughter of another great-aunt.
And so I became Lizzie Hexter, author of SNAP. Now available as an e-book from Amazon, iTunes and Kobo at a very reasonable price. Want to know if I practice what I preach when it comes to writing craft? Read the book and find out. I hope you enjoy it.
Available from Amazon, iTunes and Kobo
Lizzie Hexter likes to spin a yarn in more ways than one. She has a passion for writing stories and also a love of all things crochet. She grew up in the north west of England with her two sisters, sharing life, laughter and the contents of their wardrobes.
At age twenty, she moved to London where she enjoyed browsing vintage clothes shops and spending her meagre earnings drinking tea in posh hotels.
Lizzie has since moved back to the north west and lives on a canal boat with her cat, her husband and a great number of books. Her motto is: “Wear what you want, be who you are.”
Snap is Lizzie’s first published novel. She hopes it’s an exciting read, what with the fashion shoots, supermodels, film stars, kidnapping, extortion, stealing huge diamonds and scary gangster overlords, not leaving out the sprinkle of romance and the odd sword fight, of course.
Today I’m celebrating my 100th post and, doing things in style, I’m extremely pleased to welcome Cathy Cassidy to the blog. Author of the Chocolate Box Girls series and three times winner of the Queen of Teen award, Cathy has kindly offered some valuable advice on how to keep your writing fresh when creating multiple-character books.
Saying Goodbye to the Chocolate Box Girls…
When I started writing the Chocolate Box Girls series a few years ago, I had no clue just how attached to those characters I would become. The bohemian blended family who were a kind of ideal ‘dream family’ for me became so real that I just didn’t want to let them go, but Fortune Cookie, book six, out June 3rd, will be the series finale… all good things come to an end, and it was time for me to step back, move on.
The Chocolate Box Girls series feels very personal to me; each of the sisters has a particular character trait of my own at the heart of their personalities. Cherry is the outsider, the story-maker who carries a lot of sadness from her past; Skye is a dreamer who loves vintage and history; Summer is a perfectionist who pushes herself hard – too hard, sometimes; Coco is eccentric, animal mad and wants to change the world; and Honey is a drama queen who feels things too strongly and often messes up.
I can see myself in each of those characters and I deliberately planned the series to give each girl a chance to tell her own story… that kept the whole thing fresh for me, as one of the things I love most about writing is being able to step into the shoes of a new character, a new narrator. I love that you can find a whole lot more about what makes each character tick by reading their book!
Of course, although the Tanberry-Costello girls may appear to be the perfect family, they’re a very long way from that. Each girl has her own worries, problems and challenges to face, and that makes their stories very real. Trying to find a satisfying ending to the series meant leaving each sister perhaps not with a happy ending as such, but certainly the possibility of one… and finding a way to pull them together at last into the unshakeable family unit they have worked so hard to be.
Right from the outset, I had planned the series and made a story arc to take the overall story forward; I had never written a big series before, and although I don’t normally plan too much on paper, I didn’t want to mess up or get things wrong. I had notebooks stuffed with sketches, character notes, background details; I had a moodboard crammed with pictures, postcards, clippings. I knew what was going to happen. And then, out of nowhere, in the middle of writing book five, something unexpected happened. The book that should have been the last in the series, Sweet Honey, turned out to be the penultimate one, because Honey unearths a huge family secret that has the power to change everything.
It wasn’t in my notebooks, it wasn’t on my moodboard… it wasn’t in any synopsis or plan, but once the idea surfaced I knew it was absolutely the only way to go, and the perfect way to end to the series. Fortune Cookie is told by a brand new character, a half-brother called Jake Cooke, and because he is part of the family and yet not part of it at all, he was the perfect character to tell the very last installment.
Along the way, I fell in love with the Tanberry-Costello family. I wrote a World Book Day short, Bittersweet, from the viewpoint of one of the boy characters, and then four e-book shorts also narrated by minor characters. I even put together a craft/style/recipe book called Chocolate Box Secrets, also out June 3rd,a non-fiction book to help arty, creative readers to grab themselves some Tanglewood cool… because I wanted to hang on a little longer to that magical fantasy world. But in the end, you have to let go, and when Fortune Cookie was finished I felt exhausted, sad, lost… but satisfied, too.
It was a little like seeing six of your children leave home to seek their fortunes, all on the same day. I will miss the Chocolate Box Girls, but I’m very glad to have known them.
About the Author
Cathy Cassidy is a British author of young adult fiction. She was born in Coventry, but now lives in London. She has written 23 books and been the agony aunt for Shout, a teen girl magazine. She has also written the Daisy Star series of books for younger readers.
I haven’t been very proactive on the blog lately, life has been getting in the way. It has a habit of getting in the way of my novel writing too. So I was very glad when Jennie Nash emailed me with some wonderful advice to help get me back on the Write path (excuse the pun). She’s also offering a free trial to This Craft Called Writing readers. Here’s what she has to say:
I’m a book coach who specializes is helping people who are serious about getting their books published, and one of the first things I do with new clients is ask them to fill out a Q&A. I ask, among other things, what is giving the writer joy and what is causing frustration. The answers about joy vary wildly from writer to writer. Some people love research and creating worlds, others love moving words around the page like a puzzle, and still others love the solitude of devoting themselves to their passion. What causes frustration, however, is almost always exactly the same two things: procrastination and doubt. As we head into the New Year, I thought I would share some strategies I’ve found that are effective for dealing with both.
The problem of procrastination.
One of the realities of being a writer is that writing is done alone in a room. There is no way to get around that fact – well, except for coffee shops, but even then, it is still you sitting there, alone with your thoughts. It is you, sitting there, knowing that there are dishes to be done, dinner to be made, the demands of a job, the responsibilities of a family, the stuff of life. Every moment you write is a moment you aren’t doing something you are “supposed to do.” It’s so easy to put off writing and chose more pressing concerns, because no asked you to write. And so you put off writing one day, then two, then a week, then a month until you are just someone who merely talks about wanting to write rather than someone who actually does it.
Accountability is a powerful antidote to procrastination.
One of the reasons writers under contract tend to finish their books is because they have an editor who is waiting for the manuscript, and deadlines are fantastic motivators. Until you get to that point in your career, it can be enormously helpful to develop some other method of accountability. This could be a friend, a writers’ group, a co-worker who is also secretly writing a novel, a paid editor, or a writing coach. Make a plan for when you will turn in your work, then put it in your calendar and consider it a binding a promise. Give the person permission to ask for your pages if you don’t turn them in – to nag you, to push you – and give yourself permission to take the work as seriously as anything else in your life. Accountability breeds action, and action defeats procrastination.
The problem of doubt.
Doubt eats at every writer, no matter how accomplished, no matter how seasoned, no matter how famous. It’s a central part of the creative process, and it’s not going to go away. It’s just not. You will wonder if your idea is any good, if you are worthy to speak your voice, if anyone will eventually care, and you will wonder if you should start your story on Page 9 or Page 39, if you should have gone with a first person narrator, if that scene you wrote packs the emotional punch you thought it did. Even if you hit the jackpot and write a book people adore, doubt will find you. You will wonder if it was a fluke and whether or not you can do it again.
Specific, detailed feedback is a powerful antidote to doubt.
Instead of free-form worry about your work, arm yourself with knowledge. You can start that process by simply reading the work of writers you admire, and studying how they did it. Are your scene endings that strong? Are your character descriptions that powerful? Are your character motivations that clear?
You can continue that discernment process by taking classes and workshop, or by following blogs that teach you how to build your writing muscle and your writing skills.
A big step for any writer is to seek feedback from the outside world. Try submitting work for review at writing conferences. It’s a one-off fairly low risk way to test your work. Make sure you really listen to what the editor is saying. If you get a lukewarm response, ask for one thing you can work on to improve your work. If you get an enthusiastic response, a bit of encouragement, or an invitation to submit, ask the editor to articulate exactly what they are responding to in your work.
I’m obviously biased, but I believe one of the best forms of feedback comes from a trained editor or book coach. Working with a coach for even a short period of time can help you learn exactly where your writing is strong, and where it is weak. You can gain a lot of knowledge in a short period of time – which not only improves your work, but helps to eradicate doubt. Instead of wondering about your work in vague and unproductive ways, you know. And if the news is not good, at least you know what to fix so you can get back to the joy of writing.
Jennie Nash is the creator of the Author Accelerator, a weekly accountability and feedback program designed to help writers complete a rough draft of their book in six months. She is offering a free weekly trial to all readers of This Craft Called Writing. Learn more at jennienash.com.